How does one modernize thirteenth century designs? Maintain a contest. Little did Eugène Viollet-le-Duc know when he sketched the sacking of the archbishop’s residence in 1831 that he and a companion, Jean-Baptiste Lassus would win a contest in 1843 to revive Notre-Dame de Paris and its treasury.
For a really brief time, whereas twenty-first century restoration work continues on the cathedral of Paris, historic treasures are being saved on the Louvre Museum. The present exhibition on the Louvre ‘The Treasury of Notre-Dame Cathedral: from its Origins to Viollet-le-Duc’ showcases a minimum of 120 of these treasures, and runs till January 29, 2024. It places into context the treasury’s historical past from its origins within the Center Ages by the Second Empire within the mid 1800s. In just a few small rooms of the Louvre Museum, my eyes marveled on the intricate jewels of expertise that have been saved from the 2019 hearth.
What I cherished was the element of the work. I needed to undergo the exhibit twice, take a look at the catalog, see what I had missed and return and take a look at the objects once more. The treasury historical past is fascinating as a result of I initially solely thought of Viollet-le-Duc. The exhibit places the timeline of the cathedral’s historical past into perspective.
The exhibition ticket is free, however have to be reserved for time-stamped entry. The ticket is separate from the common Louvre Museum entrance ticket.
Tales Behind the Treasury Story
Two of the exhibition’s magazines, “Connaissance des Arts” and “Dossiers de l’Artwork” are stuffed with background, historical past and shut up images. They’re a must have memento. The publications are in French, however you should utilize a translation app in your cellphone to learn the tales. The two Press Releases in English include many details and historical past that assist tie collectively this retrospective. That is an exhibition definitely worth the go to if you go the Louvre Museum.
An 1831 drawing within the exhibition by Viollet-le-Duc exhibits that he was already attentive to Notre-Dame de Paris and its perils earlier than he turned the cathedral’s neo-Gothic restorer. He and Lassus gained the 1843 competitors to revive the cathedral. They might not solely restore the cathedral, however reconstruct the treasury vestry and reinterpret the treasures updating the thirteenth century medieval type.
He up to date liturgical furnishings and reliquaries within the new “revival gothic” type. The sculptor Jean Alexandre Chertier and the goldsmith Placide Poussielgue-Rusand interpreted Viollet-le-Duc’s designs. A number of the most lovely objects are: the reliquary for the crown of thorns, the reliquary for the cross, the bust of Saint Louis and the dove for the holy oils.
Within the Tracks of its Historical past
The exhibition is a retrospective of the treasury previous to the French Revolution and thru the restoration from 1843 to 1864. It features a chronological historical past of inventories, historic accounts, books, work, sketches, vestments, illuminated manuscripts, prints and illustrated paperwork.
The lengthy historical past begins within the Merovingian period. The primary proof of a treasury dates again to the sixth century. The treasury grew over time with donations from kings, queens, princes, bishops, canons and the “mysterious” Marquise de Neuchèze.
This philanthropy continued by the Bourbon Restoration throughout the reign of Louis XVIII (1814-1830). Louis XVIII changed Napoleon, one other giant contributor to the Notre-Dame treasury for his coronation. Some objects initially within the Notre-Dame stock and proven within the exhibit have been dispersed to different nations, museums or church buildings over the centuries.
The Treasury as a Supply of Discontent
The 2019 hearth was not the primary time, the cathedral suffered. The cathedral’s treasury went by devastation throughout the French Wars of Faith within the late 1500s and three assaults in the middle of sixty years throughout the Revolutions of 1791, 1830 and 1831. Something not held down appeared open recreation for the malcontent, anti-Catholic revolutionaries. In distinction, the revolution of 1848 and the Commune 1871 didn’t contact any church treasury nor the cathedral. The constructing, to the French, represented an anti-papist historical past and stays a French nationwide image.
Over the centuries, the treasures have been dispersed to non-public collections, different museums and archives. They’ve been taken aside, melted down after which replenished. In November 1789, Church property was nationalized. In March 1791, objects ‘ineffective for worship’ have been confiscated and melted down. The remaining objects have been taken by tumbril to the Hôtel de Ville in August 1792 and melted down in October on the Hôtel de la Monnaie (Paris Mint).
New treasures have been bought for Napoleon’s coronation. Then got here the 1830 July revolution with looting and destruction of the archbishop’s residence and the treasury vestry, and repeated with the revolt of February 1831. The destruction was so unhealthy of those constructions, they needed to be torn down.
This can be the one time for an extended whereas to view these treasures in a single exhibition. The following time shall be when the restoration is accomplished. At the moment, about one thousand treasures will return to the Notre-Dame vestry. Donations for the restoration work on the cathedral could be made on the Notre-Dame de Paris web site. Comply with the progress of the restoration on the Rebuild Notre Dame web site and often on Instagram @rebatirnotredamedeparis (The coq/rooster on prime of the fleche/spire is now in place).
To view the gallery, select a picture. This opens the gallery, which you’ll scroll by.
